Literary
Sources of Opera Libretti
As often as not opera libretti
are original, written specifically for an individual operatic
endeavor. Other libretti are frequently based on many different
forms of literary provenance. There are novels, narrative
epics, poems, plays, historical dramas, biographical theses and many
other sources of literary inspiration. Another adjunct
collection within the grander scope of The Durbeck Archive is the
accumulation of many of these literary sources of opera
libretti. Most of these sources are in printed book form but
many have been read onto LPs and recorded as complete plays.
Shown here are a few of the complete plays and readings of great
literary works. In the Archive there are many more books and
recordings of those literary sources which have inspired the art song
and oratorio as well as the opera. |
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Gounod, Boito, Berlioz, Busoni et
al all |
set portions of this play into
operatic form |
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Paisiello (1782) & Rossini (1816) |
Wolfgang Amadeus Mozart (1786) |
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still one of the most recorded
operas ever |
Verdi did both Italian and French versions |
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Orlandini,Napoli,Haug,Szönyi,Wolpert
+ |
Puccini (1916) and Busoni (1917) |
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Heitor Villa-Lobos: YERMA (1971) |
Dobos (1989), Ránki (1970) |
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Verdi (1847), revised (1865) |
Benda (1765),
Gounod (1867), Zandonai (1922)+ |
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Richard Strauss (1911) |
Arthur Honegger & Jacques
Ibert (1937) |
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(read in English) Francis
Poulenc (1959) |
(read in French) Francis
Poulenc (1959) |
Robeson (1953) and Olivier (1964) |
Rossini (1816) and Verdi (1887) |
This program is inserted into SL 153
shown above
Autographed by Paul Robeson
Autographed by José
Ferrer, Uta Hagen
and James Monks |
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Cherubini (1797),
Rossini (1813), Pacini (1843) |
Alfano (1936),
Tamberg (1976), Karaev (1973) |
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